Map and Text: World-Architecture and the Case of Miéville’s Perdido Street Station
Keywords:
China Miéville, fantasy literature, fantasy maps, Perdido Street Station, world-architecture, world-buildingAbstract
In this essay, the author argues that analysing a fantasy novel that comes with a map without taking into account the dynamic between map and text would be to omit a vital part of the fictional world. By drawing on the Vitruvian triad of architectural theory, the construction of the world in China Miéville’s Perdido Street Station (2001) is analysed through some building-blocks of that world that emerge prominently on the novel’s map. After a brief discussion of world-building and fantasy maps, the map is taken as a starting point in order to demonstrate how the transport network in general and railways and skyrail in particular are given distinctive form. One function that these building-blocks have in the novel is to provide locations which the reader can use to link dynamically between text and map, thus relating locations to each other spatially and adding layers of meaning to them, turning them from spaces into places. Passages in the text are used to show how it is possible to move between map and text, and how such movement not only augments the spatiality of the world but that it also provides a way to discuss the city’s social and economic issues by juxtaposing different characters’ perspectives.References
Attebery, B. (2014) Stories about Stories: Fantasy and the Remaking of Myth. Oxford, UK: Oxford University Press.
Black, J. (1997) Maps and Politics. Chicago: University of Chicago Press.
Burling, W.J. (2009) ‘Periodizing the Postmodern: China Miéville’s Perdido Street Station and the Dynamics of Radical Fantasy.’ Extrapolation, 50(2), pp. 326-344.
Bushell, S. (2012) ‘The Slipperiness of Literary Maps: Critical Cartography and Literary Cartography.’ Cartographica, 47(3), pp. 149-160.
Caquard, S. (2011) ‘Cartographies of Fictional Worlds: Conclusive Remarks.’ The Cartographic Journal, 48(4), pp. 224-225.
Capon, D.S. (1999) Architectural Theory Volume Two: Le Corbusier’s Legacy. Chichester, UK: John Wiley & Sons.
Cooper, D. (2012) ‘Critical Literary Cartography: Text, Maps and a Coleridge Notebook.’ In Roberts, L. (ed) Mapping Cultures: Place, Practice, Performance. Basingstoke: Palgrave Macmillan, pp. 29-52.
Dorling, D. and Fairbairn, D. (1997) Mapping: Ways of Representing the World. London: Longman.
Ekman, S. (2013) Here Be Dragons: Exploring Fantasy Maps and Settings. Middletown, CT: Wesleyan University Press.
Ekman, S. (forthcoming) ‘Entering a Fantasy World through Its Map.’ Extrapolation.
Ekman, S. and Taylor, A.I. (2016) ‘Notes Toward a Critical Approach to Worlds and World-Building.’ Fafnir – Nordic Journal of Science Fiction and Fantasy Research, 3(3), pp. 7-18.
Gordon, J. (2003) ‘Hybridity, Heterotopia, and Mateship in China Miéville’s Perdido Street Station.’ Science Fiction Studies, 30(3), pp. 456-476.
Harley, J.B. (2001) The New Nature of Maps: Essays in the History of Cartography. Baltimore: Johns Hopkins University Press.
Kendrick, C. (2009) ‘Monster Realism and Uneven Development in China Miéville’s The Scar.’ Extrapolation, 50(2), pp. 358-375.
Miéville, C. (2001) Perdido Street Station. New York: Del Rey-Ballantine.
Moretti, F. (1998) Atlas of the European Novel 1800-1900. London: Verso.
Newell, J. (2013) ‘Abject Cyborgs: Discursive Boundaries and the Remade in China Miéville’s Iron Council.’ Science Fiction Studies, 49(3), pp. 496-509.
Oxford English Dictionary (2017) ‘architecture, n.’ Oxford: Oxford University Press. [Online] www.oed.com.
Palmer, C. (2009) ‘Saving the City in China Méville’s Bas-Lag Novels.’ Extrapolation, 50(2), pp. 324-338.
Piatti, B. (2008) Die Geographie der Literatur: Schauplätze, Handlungsräume, Raumphantasien. Göttingen: Wollstein Verlag.
Robinson, A.H. and Petchenik, B.B. (1976) The Nature of Maps: Essays toward Understanding Maps and Mapping. Chicago: University of Chicago Press.
Ryan, M-L. (2001) Narrative as Virtual Reality: Immersion and Interactivity in Literature and Electronic Media. Baltimore: Johns Hopkins University Press.
Taylor, A.I. (2017) Patricia A. McKillip and the Art of Fantasy World-Building. Jefferson, NC: McFarland.
Thacker, A. (2005/6) ‘The Idea of a Critical Literary Geography’. New Formations, 57, pp. 56-73.
Tolkien, J.R.R. (2004) The Lord of the Rings. 1954-55. Fiftieth Anniversary ed. Boston: Houghton Mifflin.
Tuan, Y. (1974) ‘Space and Place.’ In Board, C. et al. (ed) Progress in Geography: International Review of Current Research. Vol. 6. Edward Arnold, pp. 211-252.
Wolf, M.J.P. (2012) Building Fictional Worlds: The Theory and History of Subcreation. New York: Routledge.
Wood, D. (1993) The Power of Maps. London: Routledge.
Wood, D. (2010) Rethinking the Power of Maps. New York: Guilford Press.
Zähringer, R. (2015) ‘“Strange Tricks of Cartography”: The Map(s) of Perdido Street Station.’ In Edwards, C. and Venezia, T. (eds) China Miéville: Critical Essays. Canterbury, UK: Gylphi, pp. 61-87.
Downloads
Published
Issue
Section
License
Authors who publish with this journal agree to the following terms:- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).