Intertextuality and Psychic Space
Keywords:
Intertextuality, Psychoanalysis, Julia Kristeva, literary geographyAbstract
NAReferences
Ahmed, S. (2005) The Cultural Politics of Emotion. Edinburgh: Edinburgh University Press.
Alexander, N. (2015) ‘On Literary Geography.’ Literary Geographies, 1(1), pp. 3-6.
Barthes, R. (1975) The Pleasure of the Text. New York: Hill and Wang.
Beardsworth, S. (2004) Julia Kristeva: Psychoanalysis and Modernity. Albany: State University of New York Press.
Blum, V. and Secor, A. (2011) ‘Psychotopologies: Closing the Circuit Between Psychic and Material Space.’ Environment and Planning D: Society and Space, 29, pp. 1030-1047.
Brosseau, M. (1994) ‘Geography’s Literature.’ Progress in Human Geography, 18(3), pp. 333-353.
Brosseau, M. (2009) ‘Literature.’ In Kitchin, R. and Thrift, N. (eds) International Encyclopedia of Human Geography. London: Elsevier, pp. 212-218.
Brosseau, M. (2017) ‘In, Of, Out, With, and Through.’ In Tally, R. (ed) The Routledge Handbook of Literature and Space. London: Routledge, pp. 1-6.
Butler, J. (1989) The Body Politics of Julia Kristeva. Hypatia, 3(3), pp. 1104-1183.
Calbérac, Y. (2011) ‘Why Should Geographers Lost in the Field Read Roland Barthes?’ Acme: An International E-Journal for Critical Geographies, 10(1), pp. 95-106.
Debord, G. (1984) The Society of the Spectacle. Detroit: Black and Red.
Hones, S. (2011) ‘Literary Geography: The Novel as Spatial Event.’ In Daniels, S., DeLyser, D., Entrikin, J.N. and Richarson, D. (eds) Envisioning Landscapes, Making Worlds: Geography and the Humanities. London: Routledge, pp. 247-255.
Hones, S. (2014) Literary Geographies: Narrative Space in Let the Great World Spin. Basingstoke: Palgrave MacMillan.
Hones, S. (2017) ‘Literary Geography.’ In The International Encyclopedia of Geography. New York: John Wiley & Sons Ltd, pp. 1-6.
Kneale, J. (2006) ‘From Beyond: H.P. Lovecraft and the Place of Horror.’ Cultural Geographies, 13, pp. 106-126.
Kristeva, J. (1977) About Chinese Women. London: Marion Boyars.
Kristeva, J. (1980) Desire in Language: A Semiotic Approach to Literature in Art. New York: Columbia University Press.
Kristeva, J. (1996) Time and Sense: Proust and the Experience of Literature. New York: Columbia University Press.
Kristeva, J. (2002) Intimate Revolt. New York: Columbia University Press.
Kristeva, J. (2009) ‘A Meditation, a Political Act, an Art of Living.’ In Oliver, K. and Keltner, S.K. (eds) Psychoanalysis, Aesthetics, and Politics in the Work of Julia Kristeva. Albany: State University of New York Press, pp. 19-27.
Kristeva, J. (2010) Hatred and Forgiveness. New York: Columbia University Press.
Kristeva, J., and Waller, M. (1996) ‘Intertextuality and Literary Interpretation.’ In Guberman, R.M. (ed) Julia Kristeva Interviews. New York: Columbia University Press, pp. 188-203.
Oliver, K. (1993) Reading Kristeva: Unraveling the Double-Bind. Bloomington: University of Indiana Press.
Schlosser, K. (2017) ‘Critical Geosophies: A Topological Reading of Romero’s Zombies and Rice’s Vampires.’ Environment and Planning D: Society and Space, 35(3), pp. 533-549.
Sharp, J. (2000) ‘Towards a Critical Analysis of Fictive Geographies.’ Area, 32(3), pp. 327-334.
Sjöholm, C. (2005). Kristeva and the Political. London: Routledge.
Sjöholm, C. (2009) ‘Fear of Intimacy? Psychoanalysis and the Resistance to Commodification.’ In Oliver, K. and Keltner, S.K. (eds) Psychoanalysis, Aesthetics, and Politics in the Work of Julia Kristeva. Albany: State University of New York Press, pp. 179-194.
Spivak, G. (1987) In Other Worlds: Essays in Cultural Politics. New York: Methuen, Inc.
Thacker, A. (2005) ‘The Idea of a Critical Literary Geography.’ New Formations, 57, pp. 56-73.
Downloads
Published
Issue
Section
License
Authors who publish with this journal agree to the following terms:- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).